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Qatar Railways Company (Qatar Rail) launched Wednesday a series of initiatives to mark World Tourism Day, encouraging visitors to use the seamless travel experience and world-class services provided by the Doha Metro and Lusail Tram networks. The global celebration takes place annually on September 27.These initiatives, being held in partnership with key partners in the tourism sector, form part of its commitment to enhancing Qatar’s position as a global tourist destination and supporting efforts to enrich the year-round visitor experience for residents and visitors, a Qatar Rail statement said.The metro and tram stations are strategically located in the main areas of Doha and Lusail, respectively, to serve densely populated areas, key hubs, and tourist attractions. By their connection to a wide range of tourist destinations, business centres, and key hospitality facilities across Qatar, the networks support the hosting of various types of tourism events, including sports, wellness, leisure, and MICE (Meetings, Incentives, Conferences, and Exhibitions) tourism.Qatar Rail has collaborated with Stopover Tourism, a destination management company specialised in organising guided tours. The company launched its inaugural tours on Doha Metro ahead of World Tourism Day, offering specially curated experiences for visitors and layover passengers in Doha, with a professional guide introducing them to the city's key attractions.The first tour was organised at Msheireb Station, passing through the National Museum and Souq Waqif stations. The tour provided visitors with a rich experience, showcasing Qatar’s cultural and tourism heritage.Qatar Rail also announced its collaboration with Hamad International Airport (HIA) to launch Complimentary Day Passes to visitors. This three-day offer from Thursday, aims to encourage visitors to experience the Doha Metro and Lusail Tram and easily travel between various tourist destinations.In co-ordination with Qatar Tourism, Qatar Rail will jointly promote events and activities across the country that can be accessed via the metro and tram networks. Additionally, the metro will be highlighted as the preferred mode of transport for visitors during their stay in Doha, through Qatar Tourism's various platforms.The Doha Metro links an extensive range of destinations, including major landmarks and tourist attractions in and around the city while the Lusail Tram serves Lusail City and its surrounding areas. Together, they provide convenient access to Qatar’s key tourist spots such as HIA, the National Museum of Qatar, Souq Waqif, Katara – Cultural Village, and other cultural and heritage sites.

Artists Abdulla AlSallat and Oleksandra Umanska have partnered to produce stunning pieces, which reflect the haunting memories left behind by war-torn buildings. Titled 'Reverie Ruins', this mixed-media installation – which fuses traditional drawing with 3D rendering – explores the deeper emotions tied to architectural destruction with both artists offering unique perspectives. “What makes it unique is the emotional response to the real things that are happening in the world, and our approach to that response makes it different,” AlSallat told Gulf Times. Umanska, deeply connected to her Ukrainian heritage and the ongoing war in her country, created 3D renderings of buildings destroyed by the conflict. AlSallat, in turn, drew over these images, expressing his feeling-driven reaction to the evocative structures. Sharing the personal impact of the project, Umanska said: “We wanted to focus on the architecture, on the buildings destroyed by the war; if those buildings could talk, what stories could they say?” “It’s 3D-rendered but it’s all based on real images and real reference images so there's a lot of references from the real buildings that were destroyed by war,” she said. “I myself am Ukrainian, so I had a strong attachment to the issue and I wanted to represent it in my art and Abdulla was very supportive of the idea,” Umanska pointed out, noting that the artwork itself presents a powerful visual, including a piece that represents a single wall from a ruined building adorned with a mural. 'Reverie Ruins' brings the forgotten past into the present, raising questions about memory, loss, and the silent witnesses to human suffering. About the future of art in the digital age, Umanska said: “I think both are very different and also incredibly interesting.” “I’m not talking about artificial intelligence (AI) digital artworks, I’m actually talking about 3D artists who generally spent as much time as traditional artists,” she added. “So I think both are important, both are interesting.” AlSallat echoed this sentiment. “Any form of self-expression, there will always be a space for it, whether it’s traditional or non-traditional art,” the Qatari artist said.”Oleksandra loves to visualise her work or her vision through 3D designs.” “We’re both expressing something and I think that’s what's important and there’s always a space for that,” he added. Both artists lauded the “Fire Station: Artist in Residence” programme for its support and resources, noting that such platform offers opportunities for local artists as well as those that moved to Doha from abroad – having exactly the same opportunity. “We had amazing studio given to us for entire year, where we managed to do this beautiful work and the support of a great team,” Umanska said. 'Reverie Ruins' is on view at “A House Overlooking the World” exhibition at Fire Station’s Garage Gallery. This latest show will run until December 31, providing visitors a window into the diverse artistic practices of 17 creators, all reflecting on the theme of self-discovery in a rapidly evolving world.

The Fire Station: Artist in Residence unveiled Sunday two exhibitions – “Art is About Art” and “Eternal Echoes: The Silent Cry of Gaza” – highlighting the role of art in cultural exchange and humanitarian reflection. Curated in partnership with the Netherlands embassy in Doha and the Atelier Art Society, “Art is About Art” showcases works from international artists exploring the emotional and spiritual significance of art while “Eternal Echoes” by Al Jazeera Media Network journalist Hayat El-Yamani pays tribute to the children of Gaza through evocative sculptures. The event was attended by HE the Minister of State and Qatar National Library president Dr Hamad Bin Abdulaziz al-Kawari, Dutch ambassador Ferdinand Lahnstein, Austrian ambassador Erika Bernhard, and Fire Station director Khalifa al-Obaidly, among other dignitaries and guests. Housed at the Fire Station’s Gallery 3 and 4, both exhibitions are open to the public and will be on view until November 2. Speaking to *Gulf Times, “Art is About Art” co-curator Dirk van Lierop, who was joined by his co-curator Alejandra Barillas, described the exhibition as unique and special, noting its setting at the Fire Station in Doha, one of Qatar’s historic buildings. He stressed how the exhibition serves as a bridge connecting three regions: the Gulf, Europe, and Latin America. The “Art is About Art” exhibition showcases the works of five renowned international artists: Han Nooyen (Netherlands), Yousef Ahmad (Qatar), Abdul Rahim Salem (UAE), Jonathan Ardon (Guatemala), and Annemiek Roumen (Netherlands). It underlines how authentic art connects cultures, reflects emotions, and represents society and offers visitors a fresh perspective on the world, encouraging inspiration and understanding. Van Lierop, a Dutch businessman specialising in art investments, and Barillas, a Latin-American businesswoman, gallery owner and former Miss Guatemala 2011, share a passion for art. Together, they curate exhibitions in galleries, art fairs, museums, and private collections. El-Yamani’s “Eternal Echoes”, curated by Saida al-Khulaifi and Fatima al-Zaini, features unique sculptures that portray balloons as once symbols of childhood innocence and now evoke the harsh realities of unimaginable struggle. The artworks serve as a poignant reminder to reflect on the silent suffering of Gaza’s children, whose cries remain unheard amid the destruction and devastation. “I’m trying to give one more voice to the children of Gaza, the more than 16,000 children being killed until this moment ... I want to tell one clear message: this blood of our children will never vanish until the criminals who have done that, the Israeli occupation, held accountable for that and this war should end now,” El-Yamani said. About her work, she noted that the balloon represents fragility while the clay means the resilience from which humans were formed and it embodies the land being fought over and holds the promise of renewal and rebirth once again.

Prominent entrepreneur and Jumbo Electronics’ director and chief executive CV Rappai launched his autobiography, A Tale of Two Journeys in Doha Friday, offering readers an inspiring account of his life and success, marking a literary milestone for Qatar’s expatriate community.The event, graced by Indian ambassador Shri Vipul and key community leaders, as well as Rappai’s family and friends, celebrated the first comprehensive autobiography of an Asian expatriate published by Katara Publishing House.Jumbo Electronics vice-chairman and managing director Sajed Jassim Sulaiman, Birla Public School founder chairman and philanthropist Dr Mohan Thomas, and Al Jazeera English programme editor Joseph John were among the dignitaries present.“When you read A Tale of Two Journeys, you will realise that it is not only my story, it is the story of the many people mentioned above, directly or indirectly ... most of you are part of it," said Rappai, who is also a director of Norka-Roots, a non-resident Keralite expat body under the Kerala state government.“I would also call this book a celebration of hard work; every individual ... carries with them many proud moments and unique experience which I think they have to share with others in the form of a book and this can inspire others in these tough times,” he said.The book offers readers a thorough exploration of Rappai’s journey of struggle and success, his life experiences, personal insights and management philosophy, while also shedding light on Qatar’s early stages of development.Covering 253 pages and 23 chapters, A Tale of Two Journeys offers a compelling narrative of Rappai's early life, from his childhood and struggles to his arrival in Doha.The book traces the origins of Video Home, set against a rapidly evolving Doha, and captures the city – and the country’s – extraordinary rise from budding city to global powerhouse.“The book, I think, shows in various parts both the courage and conviction of Mr Rappai," ambassador Vipul stated. "The book flows so seamlessly, it shows the calmness, that we all associate with Mr Rappai, who is always very calm.”“It covers many of the important facets of an expat’s life in Qatar and also many of the important political and other happenings in Qatar,” he added.The book is edited by Hussain Ahmad, managing editor of News Trail, with a foreword by C P Ravindran, former senior editor of Gulf Times.According to Ahmad, A Tale of Two Journeys delivers key insights into business management and leadership philosophy, offering valuable guidance for emerging entrepreneurs and professionals.In a press statement, Khalid al-Sayed, author, columnist and director of events and culture affairs at Katara – the Cultural Village, said: “Mr Rappai's story is a shining example of how expatriates work hard in Qatar and reach the pinnacle of success in every field, making use of the ample opportunities our country provides under the wise leadership of His Highness the Amir Sheikh Tamim bin Hamad al-Thani and His Highness the Father Amir Hamad bin Khalifa al-Thani.”“I found the book interesting because his experiences, perspectives, and achievements are unique and inspiring and will motivate others,” he said.

A robot dog, named ‘Spot’, took centre stage at the recent ConteQ Expo24 at the Qatar National Convention Centre, showcasing cutting-edge technology that South Korea seeks to co-operate with partners including Qatar.Developed by Hyundai Engineering and Construction of South Korea, Spot represents the forefront of technological innovation and its presence at the event underscored South Korea's strategic interest in collaborating with partners like Qatar in pioneering advancements.Hyundai E & C unveiled Spot at the expo as part of its ongoing testing phase, according to the embassy. Since 2021, Spot has been integral to various projects, including housing developments, tunnels, and building constructions, highlighting its skill in integrating advanced software and operating systems tailored for construction environments.Spot’s capabilities have been described as impressive, covering the acquisition of crucial digital data essential for managing construction sites effectively. Equipped with 360-degree panoramic cameras, Spot monitors site safety and quality.Laser scanners enable the capture of point cloud data, facilitating comparisons between as-built conditions and 3D design models. In addition, environment sensors detect hazardous gases, low oxygen levels, and high carbon monoxide, enhancing safety measures, especially in confined spaces.A highlight of Spot’s functionality lies in its ability to autonomously record precise time, location co-ordinates, and metadata for every data point collected. This capability lays the foundation for constructing a comprehensive digital twin environment, where Spot and other mobile robots contribute daily to the accumulation of digital data.The deployment of Spot in Qatar is symbolic of the deepening co-operation between Qatar an South Korea in the field of advanced technologies, the embassy noted. It added that during President Yoon Suk Yeol’s visit in 2023, discussions between the leaders of both nations stressed expanding collaborative efforts, particularly in Science and Technology sectors.The company announced that it is actively developing a spectrum of robot technologies tailoured for future construction sites. Apart from Spot, the company is pioneering patrol, working, and 3D printing robots, each designed to optimise operational efficiencies and enhance project outcomes.Future plans include integrating artificial intelligence (AI) into Spot's operations. Vision AI systems will analyse photos captured by Spot to identify and flag quality issues, while generative AI capabilities will autonomously generate construction reports on weekly basis, minimising human intervention.

Al Abdulghani Motors, the exclusive distributor of Toyota vehicles in Qatar, unveiled the all-new Toyota Camry 2025 at its main showroom in Doha.The new model is described as a blend of design, technology and performance.Speaking to Gulf Times, Al Abdulghani Motors’s Toyota & Lexus national sales director Samer al-Saleh said: “The Camry is still your trusted and reliable go-to-vehicle in that segment. It is the preferred and tested fleet vehicle and companies have done millions of kilometres on this car.“We are offering both the standard petrol engine and the hybrid," he stated. "The hybrid also helps give the best of both worlds scenario where you get their reliability and consistency with the range of petrol engine.”Entering its ninth generation, the Camry is reimagined with a new look and cutting-edge hybrid performance. The launch event featured a detailed presentation and test drives. Attendees had the opportunity to learn more about the features of the new Camry, engaging with Toyota’s experts and exploring the vehicle’s innovative technology firsthand.The 2025 Camry features a refreshed exterior design with a sleek, energetic look, including signature LED headlamps and front and rear fog lamps that enhance style, visibility and safety.The interior provides comfort and convenience, showcasing high-quality materials, and a range of advanced features such as a 12.3-inch touchscreen multimedia system with wireless Apple CarPlay and Android Auto compatibility, front dual-zone automatic air conditioning, and a panoramic roof.The new Camry offers a smooth and dynamic driving experience, thanks to its re-engineered suspension and braking system. There are two powertrain options: a 2.5-litre four-cylinder engine producing 201hp and paired with an eight-speed Direct-Shift automatic transmission, or the latest fifth-generation Toyota Hybrid System (THS 5), which combines a petrol engine with two electric motors to deliver a combined 227hp and improved fuel efficiency.The 2025 Camry prioritises safety with Toyota Safety Sense, a comprehensive suite of driver-assistance features that include a Pre-Collision System, Dynamic Radar Cruise Control, Lane Tracing Alert, and more.The all-new model is also equipped with Safe Exit Assist to prevent accidents when exiting the vehicle and comes standard with six airbags and a host of other enhanced safety technologies to ensure peace of mind on every drive.Available in several exterior colours, including a new Dark Blue MC, the 2025 Camry offers a choice of three-wheel designs and two interior colour schemes. More information is available from the Toyota Qatar website or the customer service at 8001800.

Msheireb Museums and Naufar Centre have partnered once again to host the 'Do You See Me?' art exhibition at the Company House, marking World Health Day on October 10.The exhibition aims to promote community awareness about mental health, focusing on substance disorders.In a press statement, Msheireb Museums general manager Abdullah al-Naama said: “Through this collaboration with Naufar Centre, we hope to contribute to changing societal perceptions towards mental health and addiction issues and to encourage a deeper and more compassionate understanding of these challenges”.Coinciding with the global 'Recovery Month', this exhibition underlines the key role of holistic and integrated support for people struggling with addiction.On view until October 12, the show shines a spotlight on substance use disorders, promoting community understanding of their causes and contributing factors.Interactive elements encourage public dialogue and exploration of this complex issue through a unique blend of human experience, culture, and artistic expression.Each of the exhibition’s three sections – Wounds, Fallen, and Awakened – symbolise a stage in the healing journey as narrated by participants in the ‘Expressive Art Psychotherapy’ sessions.“Substance use disorder is a complex health condition resulting from biological, psychological, and social factors, requiring specialised treatment and comprehensive support that is not limited to a specific entity, but is everyone's responsibility.“Every individual in the community has a role in providing support to people affected by addiction to help them rebuild their lives. Through collective efforts, we can reduce the stigma that poses a barrier to individuals seeking help,” Naufar Centre’s assistant director-general Khalifa al-Kuwari said in a statement.He noted the exhibition fosters a positive shift in community understanding of addiction and mental health, prompting dialogue about vital community support.One untitled piece evokes the claustrophobic feeling of being trapped within a small, suffocating space.This symbolises not only physical confinement but also the emotional isolation born from stigma and fear of judgment. The work powerfully captures the way these forces can intensify loneliness and create barriers to seeking help.Another artwork, titled “Need to be held, to be loved” expresses a deep human need for warmth, comfort, and emotional security. It stresses the importance of empathy, support, and understanding in overcoming isolation and fostering genuine connection.

Qatari artist Noora al-Hardan is challenging conventional notions of art by seamlessly blending traditional mediums with cutting-edge digital techniques in her piece, “Lost and Found Again,” at the Fire Station: Artist in Residence.The artist’s work, on view as part of the 'A House Overlooking the World' exhibition, explores the fascinating stories hidden within abandoned spaces, prompting viewers to see the familiar in a new light.“An example like an abandoned hut, a pair of forgotten shoes, or a (discarded) blanket. For instance, here in my work, I currently have a blanket that was thrown onto a car in a junkyard that I found, and I feel like for some reasons everyone had used an old blanket in their childhood,” she told Gulf Times.Al-Hardan said her artistic journey began with a fascination for photography. Inspired by abandoned places like junkyards and buildings slated for demolition, she captures the remnants of human existence through her lens.“My art always starts with photography so I got interested in analogue photography at university. I took an analogue film class with Khalifa al-Obaidly (Fire Station: Artist in Residence director) and after this class, I fell in love with old film strips and developing.Her work excels the boundaries of traditional art by incorporating spray paint, digital prints, and even old slide projectors. “I started as a traditional artist,” she reveals. “But I was encouraged to explore new mediums. Digital art is more interactive and engaging for viewers. It’s about finding the right balance and adding a fresh perspective”.About using a mix of digital and traditional art in communicating with her viewers, al-Hardan said such technique offer a unique visual experience for them, noting that people enjoy the combination since it is not something they see frequently.“I want to compare both, this (old projector) isn’t smooth as you can see, it’s very loud and it doesn’t move quickly, whereas the digital (projector) is very smooth. I feel like it’s a nice contrast having both,” she pointed out.About the growing popularity and interest in digital art in Qatar and the region, al-Hardan said: “I wouldn’t say more popular but I feel like people, maybe my age, like the younger people, we are interested in the past. We love finding stuff that aren’t familiar with us because we are very familiar with digital projectors but like this (old projector), it's an interesting thing”.Besides al-Hardan, 16 other artists are showcasing their unique pieces at the exhibition, which runs until December 31. Some of these include Shuaa al-Kuwari’s (Qatar) Modern Portrait, Mohammed al-Emadi’s (Qatar) Busnida Universe – Chapters 0-3, and Marco Bruno and Simone Carena’s (Italy) MotoElastico, among others.

As artificial intelligence (AI) increasingly shapes the art world, The Fire Station: Artists in Residence (AIR) in Qatar is embracing experimentation and digital mediums, fostering a new generation of Qatari artists ready to take the global stage.“Throughout the residency and mentorship, we try to encourage artists to be as experimental as possible, to try out different mediums. Many of them that are presenting their works have been, throughout the nine-month programme, working on with new mediums,” Saida al-Khulaifi, head of Programmes and Exhibitions at The Fire Station, told Gulf Times.She noted that this approach is evident in the recently opened exhibition, titled 'A House Overlooking the World' at the Garage Gallery, showcasing the diverse works of 17 artists who participated in the 2023-2024 AIR programme.Al-Khulaifi said one standout artist is Qatari engineer Alkhuzama Alharami, who embraced the residency to develop her artistic practice, integrating her engineering background with her creative vision.“We are accepting engineers into their residency who would love to experiment with artists well,” she said, noting that Alharami’s work is building sensors and computers but wanted to explore with art.Other participating artists include: Somaia Dorzadeh (Iran), Oleksandra Umanska (Ukraine), Charlotte Rodenberg (US), Marco Bruno and Simone Carena (Italy), Ann Mc Nally (Ireland), Alanoud Alghamdi (Saudi Arabia), Maryam AlTajer (Bahrain) and Hannah Fakhri, Abdulla AlSallat, Shuaa al-Kuwari, Noora al-Hardan, Aljaze AlNaimi, Zainab AlShibani, Aisha al-Abdulla, and Mohammed AlEmadi.About the future of the AIR programme, al-Khulaifi highlighted the Fire Station’s role as a vital hub for nurturing local talent, saying: “We cultivate emerging and mid-career artists, supporting them beyond the residency, even with international opportunities”.She pointed out that the programme’s international recognition, including residencies at the Cite Internationale des Art in Paris and Studio 209 NY in New York City, underscores its commitment to global exposure for Qatari artists.Al-Khulaifi also underlined the significance of the ongoing exhibition, on view until December 31, as it shines a spotlight on what she described as “the dynamic intersection of traditional and digital art forms”. This, she added, showcases the creative potential of Qatari artists in a rapidly evolving art landscape.By embracing the evolving role of AI and technology, al-Khulaifi pointed out that this empowers artists to push creative boundaries and solidify Qatar’s presence on the global art scene.

M7 unveiled an exhibition Wednesday, showcasing the unique work of four emerging designers who took part in the fourth edition of the Zwara programme.The exhibition, on display at M7’s Learning Space until December 18, highlights the culmination of a 10-month mentorship journey that saw these designers push the boundaries of contemporary furniture design.The opening was attended by dignitaries, including Qatar Museums CEO Mohammed Saad al-Rumaihi, along with prominent figures from the creative industry, students, and aspiring designers.In a press statement, M7 director Maha al-Sulaiti underlined the programme’s commitment to nurturing local talent, saying: “Zwara highlights not only their process but also captures the collaborative spirit, creativity, and innovation that resulted from this programme. It’s a testament to the incredible craftsmanship that characterises our local design community.”Curated by Jumanah Abbas, the exhibition features a collection of four distinct pieces, each embodying the individual styles and inspirations of the participating designers.Stephen Amoyo, a multidisciplinary designer, presents “The Waiting Chair”, a striking contemporary piece that blends the design philosophy of Virgil Abloh with the iconic works of Jean Prouvé.Amoyo describes the chair as a fusion of Prouvé's silhouette and Abloh's creative ethos, encouraging further contributions from future designers and the wider community.Abdul Basit, an interdisciplinary designer, unveils “WeaveO,” a console that seamlessly blends traditional Sadu weaving techniques with the Dutch Art Movement. This piece reinterprets the history of Bedouin society, transforming geometric patterns and motifs into a modern form. Basit underscores the adaptability of the design, weaving historical influences into a contemporary narrative.Nusj by Hammam al-Abdulla, an interior designer, draws inspiration from Marcel Breuer's iconic Wassily Chair for his piece “Nusj”.The chair, named after the Arabic word for “weave”, redefines the classic design with asymmetrical lines that wrap around a reimagined structure, reflecting both personal and communal use.Saraab by Galyiah al-Mohannadi, an interior and furniture designer, presents an experimental bookcase that invites interaction with its rotating structure.Inspired by Charlotte Perriand’s “Bibliothèque,” al-Mohannadi reinterprets the design with locally sourced polychromatic glass, creating distinct modular units for flexible configurations.The Zwara Programme, tailored and facilitated by M7, provides a platform for emerging designers to hone their skills under the guidance of industry leaders. This year’s programme saw participants engage in a week-long trip to the prestigious Vitra Design Museum in Germany, offering invaluable insights and inspiration.Apart from the individual pieces, M7 noted that the exhibition offers a comprehensive exploration of the designers’ creative processes. Visitors have the opportunity to explore research notes, sketches, material samples, and final products, gaining a deeper understanding of the journey from concept to creation.A special highlight of the exhibition is the student-led “Miniatures” display where aspiring interior designers from Virginia Commonwealth University Arts in Qatar crafted visionary furniture designs, pushing the boundaries of materials, trends, and manufacturing.

The Thailand embassy in Qatar brought three of Thailand’s most iconic traditions to life at a Doha event, offering attendees an opportunity to engage with the country’s vibrant culture.The “Experience the Thai-ness Trio: Thai Food, Thai Massage, and Muay Thai,” provided a unique journey into the heart of Thailand’s cultural heritage.Speaking at the event, Thai ambassador Sira Swangsilpa said the occasion “exemplifies the deep wisdom, creativity, and traditions of Thailand, cultivated over generations and recognised globally for their unique contributions to health and wellbeing.“The Thai-ness Trio represents more than just our cultural heritage – it embodies the spirit of Thailand. The first ‘T’ is Thai food, rich in herbs and spices, promotes nourishment and balance. The second “T” is Thai massage, long known for its therapeutic qualities, offers much-needed relief from the stresses of modern life”.The envoy underlined that Unesco recognised “Traditional Thai Massage” as an Intangible Cultural Heritage in 2019, adding it to their prestigious list.According to Swangsilpa, the third “T” is Thai boxing or Muay Thai, a discipline demanding both physical and mental fortitude. He pointed out that all the live demonstrations at the event was led by local experts – skilled Thai chefs, boxing coaches, and masseuses – who bring the authentic spirit of Thailand to Doha.“This event is not only a showcase of our culture but also a platform for fostering deeper mutual understanding and strengthening people-to-people connections as well as enhancing social interactions between Thailand and Qatar,” he said.‘Experience the Thai-ness Trio’ was attended by Qatar Sports for All Federation CEO Abdullah al-Dosari as a honorary guest, along with spouses of heads of foreign missions in the country, among other guests.The event kicked off with a spotlight on Muay Thai, Thailand’s time-honoured martial art. Deeply entwined with the nation’s heritage, Muay Thai is renowned worldwide as the “Art of Eight Limbs”.Attendees also experienced authentic Thai massage – an ancient art that aims to unlock blocked energy, restore balance, and revitalise the entire being – as expert therapists showcase the graceful movements and precise application of techniques.The event’s final segment focused on exploring the Thai cuisine, displaying what was described as a harmonious blend of flavours inspired by Thailand’s bountiful agriculture and rich cultural heritage.Part of the programme is a live cooking demo of Phad Thai, a national treasure renowned for its perfect balance of sweet, sour and salty notes.The embassy said the Destination Thailand Visa is available for those seeking to immerse themselves in Thai culture. This five-year visa grants 180-day stays per entry, ideal for digital nomads, freelancers, and anyone interested in Muay Thai, Thai cooking, or other cultural experiences.

Fire Station: Artist in Residence (AIR) unveiled its latest exhibition, “A House Overlooking the World,” Monday, showcasing the diverse and thought-provoking works of 17 artists who participated in the 2023-2024 residency programme.The exhibition at the Garage Gallery will be on view until December 31. Speaking to Gulf Times on the sidelines of the opening, Fire Station’s Programmes and Exhibitions head Saida al-Khulaifi said “A House Overlooking the World” is a metaphor reflecting the overarching theme of finding one’s sense of self in a rapidly changing world.“This exhibition explores three key aspects of urban identity: social, cultural, and environmental. Each artwork reflects the individual and collective experiences of the artists, providing a relatable point for every visitor,” she noted.According to al-Khulaifi, these themes evoke deep emotions and feelings, ranging from comfort and safety to displacement, complicated human relationships, and the often challenging search for oneself.She said the artists grapple with the duality of these experiences, prompting viewers to reflect on their own journeys. She highlighted the uniqueness of this exhibition as it showcases the exceptional talent nurtured by Fire Station’s AIR programme.The participating artists are: Somaia Dorzadeh (Iran), Oleksandra Umanska (Ukraine), Charlotte Rodenberg (US), Marco Bruno and Simone Carena (Italy), Ann Mc Nally (Ireland), Alanoud Alghamdi (Saudi Arabia), Maryam AlTajer (Bahrain) and Hannah Fakhri, Abdulla AlSallat, Shuaa al-Kuwari, Noora al-Hardan, Aljaze AlNaimi, Zainab AlShibani, Aisha al-Abdulla, Mohammed AlEmadi and Alkhuzama Alharami (Qatar).“The eighth edition of AIR has been a massive success and the quality of the exhibition is a testament to the artists’ talents. We hope to continue supporting local artists and nurture talent to help them actualise their potential” al-Khulaifi said.“A House Overlooking the World”, she added, also digs deeper to the unique dynamic of Doha, a city undergoing rapid transformation while simultaneously dealing with nostalgia for the past.“The artists being part of the society express those feelings, they look into memory, they look into nostalgia, but at the same time, trying to find themselves either physically or spiritually,” al-Khulaifi said.In a press statement, Fire Station director Khalifa al-Obaidly expressed his pride in the artists’ achievements, saying: “The introspective nature of the exhibition required a skillful display of artistic representation which is not easy. It was masterfully done by the artists and I would like to congratulate them on their hard work. We look forward to seeing their growth and development in the future and the impact they make in the artistic community and beyond”.A renowned international residency programme, organisers noted that AIR is designed to foster and promote artistic talent in Qatar. It provides emerging and mid-career artists with a transformative platform to enhance their skills through expert mentorship, production support, and curatorial guidance. The program also offers access to studio space and fabrication facilities to support their artistic development.The AIR programme earned international recognition, including a three-month residency at the Cite Internationale des Art in Paris and Studio 209 NY, a part of the renowned International Studio & Curatorial Programme in New York City.

Doha’s pop culture scene is thriving, fuelled by a passionate community eager for more events, Geekdom founder Abdulla al-Mosallam told Gulf Times.He cited the “overwhelming and amazing response” to Geekdom’s initiatives, saying: “People are hungry for more pop culture events, constantly asking for more, and we’re doing our best to satisfy that demand.”Al-Mosallam noted that Geekdom’s commitment to fostering the community is evident in its diverse programming: “We're aiming to fill the calendar with different events and activities, not just limited to Geekend.”“We collaborate with various organisations to enhance the pop culture scene in Doha, providing a platform for people to have fun, creatives to flourish, and grow,” he said.The upcoming edition of Geekend, scheduled for September 12-14 at Geekdom’s building at Lusail Boulevard, promises a thrilling weekend packed with entertainment, community engagement, and competitions.Al-Mosallam highlighted the vibrant manga (comics in the style that originated in Japan) scene in Doha, stressing there is so much manga talent in Doha that deserves recognition.Geekdom’s regular events at its building in Lusail Boulevard feature gaming tournaments, screenings, and interactive activities.Beyond entertainment, the organisation plays a crucial role in supporting local creatives.As Qatar’s premier pop culture event, Geekend is not just a treat for gaming fanatics, al-Mosallam said, but also a platform for local talent to blossom and launch their businesses.He pointed out that Geekdom's journey has been phenomenal, witnessing widespread acceptance and popularity from the community.“People kept pushing and asking for more,” he said.In response, Geekdom has offered numerous workshops with Qatar Development Bank and other stakeholders, helping creatives transition their passions into full-fledged businesses.“We are incredibly proud of the participants in our workshops and Geekends, witnessing them evolve to the next level, representing themselves and Qatar in international events,” al-Mosallam added.

September is shaping up to be a month of creative exploration in Doha, with a diverse range of workshops and interactive activities being hosted by the Museum of Islamic Art (MIA) and Geekdom at Lusail Boulevard.From the intricate world of calligraphy to the joy of board games, these offerings provide residents and visitors in Qatar, especially children, a chance to learn more and unleash their potential.MIA is offering a comprehensive range of calligraphy workshops throughout September, catering to both beginners and those looking to enhance their skills. The Diwani Intermediate Workshop, being held Saturday and Sunday, focuses on this important Arabic script and ideal for those who have already completed a beginner’s course.Tomorrow, Ruq’ah: Calligraphy Workshop (intermediate) explores this 19th-century script known for its clarity and simplicity. Following closely, Naskh Calligraphy (beginners), starting on September 9, will introduce participants to this fundamental script used for copying the Quran.Beyond calligraphy, MIA is offering a variety of workshops for all ages. Geometry Pattern Painting Workshop scheduled from September 9-10 provides an introduction to the concept of geometry in Islamic art, guiding participants through the process of creating and painting geometric patterns.For younger audiences, An Artist’s Adventure Workshop, also from September 9-10, combines storytelling with hands-on activities, introducing children to the world of art through various craft mediums.The three-day Geekend event at Geekdom, taking place from September 12-14, promises a captivating experience for board game enthusiasts. Guests can discover new games and enjoy the lively environment, with karaoke sessions adding to the vibrant atmosphere.MIA continues its focus on creativity with a Clay Workshop from September 15-17, where participants will learn the coiling technique to create various forms. Geometry for Kids on September 22 will allow children to explore geometric shapes inspired by MIA’s collection.The Flowers of the Past workshop, also on September 22, takes participants on a gallery tour, followed by a hands-on session where they can create their own unique vase designs inspired by MIA’s collection.Besides MIA, a number of museums and galleries such as Mathaf: Arab Museum of Modern Art and National Museum of Qatar, in addition to the Fire Station: Artist in Residence, as also hosting several workshops this month.

Geekdom is set to host its latest edition of Geekend event from September 12-14 at Lusail Boulevard, offering a thrilling weekend of entertainment, community engagement, and competition.Featuring activities such as the unique Snoonu Hackathon, a Jumbo Gaming challenge, and eSports tournaments with more than QR60,000 in prizes, the event promises an unforgettable experience for both participants and spectators.Speaking to Gulf Times, Geekdom founder Abdulla al-Mosallam highlighted the uniqueness of this Geekend, citing the diverse range of artists and vendors, as well as newcomers, who will bring fresh energy to the growing community event.“Every Geekend event, we try to make it unique and special by adding a different variety of artists, vendors, and experiences. What’s great about it is the overwhelming interest from the community,” he said. “We receive triple the number of applicants that we can accommodate, so we always strive to offer variety and give newcomers a chance to participate.”He noted that Geekend is expected to be even more inclusive, with many first-time participants showcasing their work.“We have a lot of newcomers this time, and it’s going to be a great opportunity for them to interact with their audience in person, especially since many are used to selling online,” he said.Al-Mosallam underlined the Snoonu Hackathon as one of the event’s key attractions, with details to be unveiled on Thursday.The competition is expected to draw a significant number of digital artists, with hopes of delivering outstanding results.Al-Mosallam noted that another major attraction is the Jumbo gaming challenge, featuring a Qatari-developed mobile game by Khalifa al-Kuwari.Players will compete on a large screen to earn top scores and secure a place on the leaderboard.The event will also host several eSports tournaments, which have also become a highlight of Geekend.“What’s interesting is that we also have many people coming from neighbouring GCC countries, not just Qatar, to compete here,” al-Mosallam said.Geekend will feature a variety of activities designed to engage all attendees.The Geekend Market, a celebration of creativity and community, will offer a platform for local and regional artists and vendors to display and sell their unique creations.For those looking to relax, the Geekend Lounge provides a comfortable retreat where visitors can unwind, socialise with fellow fans, and soak in the vibrant atmosphere of the event.Nearby, the Geekdom Cafe will serve refreshments, offering attendees the perfect spot to recharge between activities.Organisers noted that gaming enthusiasts can look forward to the Board Game Area, which will feature a wide range of classic and modern games, catering to players of all skill levels.One of the weekend’s most exciting competitions will be the Quoridor Tournament, hosted by Majlis Shabab.This two-day event will see 32 participants compete in a single-elimination format, with the final rounds taking place on the main stage on September 14.The tournament promises intense, strategic gameplay as participants vie for the title of Quoridor champion.For those with a sense of adventure, Geekdom’s Side Quests will offer an opportunity to unleash their inner detective.Participants will race against the clock to solve puzzles and uncover hidden treasures in a thrilling escape game.

The Museum of Islamic Art’s (MIA) new addition to its permanent collection – a fully restored and reassembled 19th-century reception room from Damascus, Syria – offers visitors a glimpse into the opulent world of Ottoman-era luxury.According to Qatar Museums (QM), the ‘Damascus Room’ is now a permanent fixture at MIA’s galleries dedicated to the arts of Ottoman provinces. This interactive exhibit, titled ‘The Art of Hospitality: The Damascus Room,’ was meticulously assembled by a team of experts from QM after years of research and restoration.The room, produced by the Department of Digital Experience and MIA, showcases 427 individual pieces, including intricate wood carvings and stonework, painstakingly brought back together to create a portal through time.Originally completed in 1816/1817 CE, the room was discovered in 25 crates in a remote storage area in Doha in 2016. It provides a window into the life of Damascus during a period of significant trade and cultural exchange. The city, situated at the crossroads of major trade routes, was a vibrant hub for merchants, pilgrims, and cultural influencers.QM noted that the room demonstrates how opulent homes were not merely private, but also functioned as semi-public spaces for economic and social life. The interior decoration reflects the city's unique urban design aesthetic, blending Ottoman traditional patterns with Indo-Persian and European Rococo influences.QM added that this exhibit allows visitors to immerse themselves in the rich history and culture of Damascus, a chance to experience the craftsmanship and artistry of a bygone era. One of the highlights of the Damascus Room is the original ceiling, which conservation expert Dr Anke Scharrahs discovered was partially redecorated with 11th century AH/17th century CE paintings on the back of some panels. This resourceful practice was common at the time, providing a way to modernise homes.The room also features a raised seating area, furnished with low mattresses and cushions, and adorned with calligraphic inscriptions featuring poetry and the Beautiful Names of Allah. The intricate decorations, created using gold leaf, tinfoil, precious pigments, lacquers and mirrors, offer a glimpse into the artistic techniques and aesthetic preferences of the time.

The Philippine Department of Migrant Workers (DMW) reiterated its dedication to protecting the rights of overseas Filipino workers (OFWs) by issuing a circular that underscores the strict enforcement of the “no placement fee” policy for Filipinos bound for Qatar.This move aligns with Qatar’s existing labour laws, which prohibit recruitment agencies from charging any fees for recruitment, expenses or other associated costs, according to the Philippine embassy in Doha.The announcement stressed that Qatar is classified as a non-placement fee labour-receiving country. This means that licensed recruitment agencies are explicitly barred from collecting any form of payment related to recruitment fees from workers heading to Qatar.The DMW circular, signed by Secretary Hans Leo J Cacdac, draws attention to Article 33 of Qatar Law No 14 of 2004, which clearly states that recruitment agencies are not permitted to charge any sum for recruitment-related expenses.This directive is further supported by Section 56 (b) of the DMW’s 2023 Department Circular No 01, titled “Promulgating the 2023 Department of Migrant Workers Rules and Regulations Governing the Recruitment and Employment of Landbased Overseas Filipino Workers”, which governs the recruitment and employment of land-based OFWs.The DMW has warned that violators of the no placement fee policy will face serious administrative penalties, including the cancellation of their licenses as stipulated under Section 139 (m) Rule II, Part VI of the aforementioned rules and regulations.

The 81st Venice Film Festival is shining a spotlight on filmmakers from the Middle East, Africa, and Southeast Asia, featuring films supported by the Doha Film Institute (DFI).This year’s festival, running until September 7, showcases the work of regional filmmakers, many of whom have received backing from the DFI’s Grants Programme.A record number of DFI-supported films are being screened across various festival departments, including the prestigious Orrizonti and Orrizonti Shorts sections, as well as sidebar events like Critics Week and Giornate degli Autori.This year, the DFI has curated a special exhibition, “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices”, which explores themes of memory and identity through 40 films and installations by creatives from the region.The exhibition has been a highlight of the festival, drawing attention from international film industry professionals and notable figures like Academy Award-winning actress, filmmaker, and rights activist Angelina Jolie, who was joined by DFI chief executive Fatma Hassan Alremaihi.The festival has seen a diverse selection of DFI-supported films from countries including Egypt, Jordan, Lebanon, Morocco, Palestine, Tunisia, and Yemen.The selection highlighted the DFI’s commitment to fostering a diverse and inclusive film landscape, promoting new voices, and bringing unique stories to the global stage.The DFI’s presence extends to the Venice Production Bridge, where a special screening of award-winning short films by Qatar-based filmmakers was took place yesterday.This showcases the burgeoning talent within Qatar’s film industry and further underlines the DFI’s commitment to supporting local filmmakers.The “Your Ghosts Are Mine” exhibition, co-organised by the DFI, Mathaf: Arab Museum of Modern Art, and the future Art Mill Museum and supported by Media City Qatar in Venice, offers a powerful platform for dialogue about the complex realities of the region and the diverse narratives it holds.