Chef in Hundred-Foot Journey serves up
a feast for the eyes. By Jenn Harris
When chef Floyd Cardoz arrived in France last year, he knew he’d spend most of his time cooking. What he didn’t expect was a quest for the perfect Hollywood shot that would force him to roast a wild bird artfully stuffed with truffles — 12 times.
“I asked someone, ‘Do you really need this amount of food?’” Cardoz said. “There were takes and retakes, and a lot of the food just gets thrown out. For me, that was a learning experience.”
Cardoz spent five days working elbow-to-elbow with eight other chefs on The Hundred-Foot Journey. As culinary consultant, he was asked to create the sumptuous buffet seen throughout the film.
The Hundred-Foot Journey joins Big Night, Babette’s Feast, Jon Favreau’s recent Chef and other foodie-friendly films — this one rife with close-ups of beautifully plated boeuf bourguignon and freshly baked baguettes.
Even if you can’t name the five mother sauces of French cooking, you may find yourself breathing heavily during scenes of glistening grilled meat, wild mushrooms, simmering curries and snow-white bechamel sauce. Directed by Lasse Hallstrom, the man who had audiences swooning in 2000 over Chocolat, and based on the bestselling novel by Richard C Morais, The Hundred-Foot Journey is the story of a young Indian chef named Hassan Kadam, played by Manish Dayal, on his quest to become a culinary Mozart.
After a series of unfortunate circumstances, Kadam and his family, led by Papa (Om Puri), settle in Saint-Antonin-Noble-Val in France, where they open a traditional Indian restaurant. They happen to be exactly 100ft across the road from a Michelin-starred classic French restaurant run by a stiff Madame Mallory, played by Helen Mirren.
On one side of the road, Madame Mallory takes pride in a formal world of starched linen, heavy cream and perfectly shined cutlery. You are not to eat with your hands unless it is to hold a slice of baguette.
On the other side, Kassan sets up shop with a faux Taj Mahal facade, murgh masala, plastic place mats and a blaring boombox. Eating with your hands is expected.
Cardoz found that the story echoed his own: The Indian-born chef came to the United States in the late ’80s but struggled to find work. He was finally given a chance by Greg Kunz, who at the time was chef at Lespinasse at the St Regis in Manhattan.
Cardoz eventually became executive chef at Tabla, a since-closed Indian restaurant in New York where he met Morais. The author had researched his book by travelling the globe and spending time in the kitchens of such legendary restaurants as Le Bernardin in New York as well as Crawford Market in Mumbai. But he was still searching for a culinary consultant who understood the story behind the food.
Morais sent Cardoz a copy of his book, and the author knew he’d found the right ambassador when he received an e-mail back that said: “This is my story.”
“He said, ‘It’s like I whispered them in your ears and you wrote them down,’” Morais recalled.
No food stylists were used to prepare the food in the film. Instead, the filmmakers hired Cardoz as well as a classically trained French chef, an Indian chef who had cooked in France and an expert in molecular gastronomy, among other professionals.
“For me, it was about cooking real food, not fake food,” Cardoz said. “Everything we did was real, so if anyone wanted to eat it, they could.”
Tasked with bringing recipes in the book to life, Cardoz thought about what would look good on camera, then went about creating a menu. “I’m so passionate and connected to Indian flavours that it didn’t take me very long to develop the recipes,” Cardoz said. “When I cook at home, I cook in that style, and when I make dishes, it’s all about how I can make food sing for people.”
Drawing from his experience at Tabla and at North End Grill in New York, Cardoz put his stamp on classically French dishes. To boeuf bourguignon he added ginger, Aleppo pepper and cumin; his fluffy omelet is spiced with coriander. His take on the grilled, yogurt-marinated chicken tikka and his succulent stuffed pigeon with truffles are also highlighted in the film.
But filmmakers didn’t just want the food to act as a metaphor for bridging two cultures. Juliet Blake, who produced the film (along with Steven Spielberg and Oprah Winfrey, among others), wanted it to be a feast for the eyes.
“What we wanted to do was leave the audience really wanting to taste the wonderful Indian and French food in the film,” Blake said.
“The thing about food is that it doesn’t just combine different recipes, it can combine different cultures,” she said. “Food is a great leveller of people, and everyone loves watching food.” — Los Angeles Times/MCT
Shields to release make-up collection
Model-turned-actress Brooke Shields has teamed up with bosses at Mac cosmetics to create her own make-up collection. The Blue Lagoon star, 49, landed the project after a meeting with the firm’s senior vice president and creative director James Gager, and now her range will be available with retailers in October, reports contactmusic.com.
Shields, who is famous for her styled brows, got involved in the research and development process to ensure the products, which include eyeshadows, lipsticks, nail polishes and mascaras, were something she would want to purchase for herself.
“I went through all of my make-up, opened it all up, looked at it all and started to decide what of each product I loved — whether it was from Mac or some obscure brand I got on a shoot in Japan. “So many times you get asked to ‘create’ something, but it ends up being, ‘Put your face on this’. I got to run with this, and I loved every detail of it,” she said.
Shields isn’t the first celebrity to launch her own Mac range. Lady Gaga, Lorde, Nicki Minaj and Rihanna have all worked with the company on their own collections in recent years. — IANS
Radcliffe rules out more Potter roles
Actor Daniel Radcliffe says playing Harry Potter in new movies is not on the cards though has spoken about how the boy wizard has influenced his own character. Radcliffe, who is currently starring in the indie romantic-comedy What If, says he and Potter share fiercely loyal sensibilities, reports contactmusic.com. Appearing at Comic-Con, Radcliffe was asked whether there was a chance he could reprise his role as Potter, given JK Rowling’s new projects in the world of Hogwarts. It was a straight and direct ‘no’ from the 27-year-old though he spoke in-depth about how the character was embedded in himself. “I’m sure our personalities influenced each other, which sounds crazy because one of us is real and the other isn’t,” Radcliffe said. “Having spent so much time playing him, his instincts became my instincts, which is not such a bad thing. He’s fiercely loyal and curious and brave - and I hope I am,” he said. — IANS
